The Narrator: A Voice Actor’s Ramblings

The work of a voiceover artist

Right then, let’s have a chinwag about narrators, shall we? It’s a term that gets bandied about a lot, but what’s it all about, eh? As a voiceover artist with a fair few years under my belt (and a few more on top, if I’m honest!), I’ve had the pleasure of narrating all sorts of things, from explainer videos and documentaries to e-learning courses and video game trailers. It’s a cracking job, and I reckon it’s about time we delved into what makes a good narrator tick.

Narrator

What is a Narrator, Anyway? A Definition from a Voice Actor’s Perspective

Now, you could just crack open an Oxford dictionary and find some stuffy definition…someone who tells a story, or, in simpler terms, a person who speaks. But let’s be honest, it’s a bit more exciting than that, isn’t it?

A narrator is like a tour guide, serving the author and leading the listener through the twists and turns of a story. We’re the ones who bring the characters to life, paint the scenery with our voices, and keep the audience hooked. We provide the answers to the questions that keep the reader intrigued.

A Trip Down Memory Lane: The History of Narration

There have always been narrators. 

Think back to the days of old when folks would gather ’round a fire and listen to storytellers spin their yarns. These were the original narrators, bringing stories to life with their voices. Then came the radio, and suddenly those voices were beamed into homes across the land. And who could forget the golden age of film noir, with those gravelly-voiced narrators adding a touch of mystery and intrigue? From ancient epics to modern television dramas, they has played a vital role in storytelling.

Narrators: A Motley Crew

Just like in a pub, you get all sorts of narrators. You’ve got your ‘first-person’, spilling the beans about their own experiences. Then there’s third-person, the all-seeing, all-knowing type who seems to have a CCTV camera in every character’s head. And let’s not forget the less common second-person narrator, the one who points the finger at you and says, “You’re the one doing this!”  Each type offers a different perspective and adds a unique flavour to the story told.

1st 2nd or 3rd person narrative - British Male Voice Over Artist - Guy Michaels

More Than Just a Pretty Voice: The Tools of the Trade

Now, don’t get me wrong, having a decent set of pipes helps. But being a good at narration takes more than just a voice that could melt butter. You’ve got to understand the story inside and out, know your characters like the back of your hand, and be able to shift your voice to suit every mood and situation. It’s about using your voice as a tool, a creative device to bring the author’s words to life. We need to be able to switch from comedy to tragedy, from suspense to joy, all while maintaining clarity and engaging the listener.

Bringing Stories to Life

This is the bit I love the most. When you get it just right, you can transport listeners to another world. They can practically smell the salty air on the high seas, feel the chill of a haunted house, or taste the delicious aroma of a freshly baked cake!  Whether it’s a gripping novel, a thought-provoking essay, or a quirky short story, a skilled voice actor can make the words leap off the page and come to life.

Narration in the Modern World: It’s Everywhere!

These days, you can’t escape narration. It’s in video games, documentaries, those online courses your boss makes you do… even those little audio guides you get at museums. It’s a booming business, and I reckon it’s only going to get bigger. With the rise of audiobooks, podcasts, and e-learning, the demand for talented narrators has never been higher.

A Few Tips from Yours Truly

Before I sign off, here are a few nuggets of wisdom I’ve picked up over the years:

  • Know your stuff: Read the script, do your research, and get to grips with the story. Understand the characters, the plot, and the themes.
  • Find your voice (literally!): Experiment with different accents, tones, and delivery styles. Don’t be afraid to play around and see what works best for the material.
  • Don’t be afraid of a bit of silence: Pauses can be just as powerful as words. They can create suspense, emphasize a point, or give the listener time to digest information.
  • Listen to the pros: Learn from the best by listening to audiobooks and watching documentaries. Pay attention to how they use their voices to create different effects.

That’s All, Folks!

Well, there you have it. A whirlwind tour of the world of narration. It’s a fascinating field, and I’m chuffed to be a part of it. If you’re thinking of giving it a go yourself, I say go for it! You never know, you might just find your calling. 

Need a voice actor who can bring your story to life? Get in touch!  DROP ME A LINE

Glossary of Narration terms

  • First-Person Narrator: A narrator who is a character in the story and uses “I” or “we” to tell the story from their perspective.
  • Second-Person Narrator: A narrator who addresses the reader as “you,” placing the reader directly into the story.
  • Third-Person Narrator: A narrator who is not a character in the story and uses “he,” “she,” or “they” to tell the story.
  • Omniscient Narrator: A third-person narrator who has unlimited knowledge and can access the thoughts and feelings of all the characters.
  • Limited Omniscient Narrator: A third-person narrator who has knowledge of the thoughts and feelings of only one or a few characters.
  • Narrative: The story itself, including the events, characters, and setting.
  • Point of View: The perspective from which the story is told.
  • Voice: The narrator’s unique style and tone, which can be shaped by factors such as age, gender, personality, and social background.
  • Tone: The narrator’s attitude towards the story and the characters, which can range from serious to humorous, objective to subjective.
  • Perspective: The narrator’s viewpoint or interpretation of events.
  • Character Voice: The distinctive voice of a particular character in the story, often conveyed through dialogue and internal monologue.
  • Narrative Distance: The degree of separation between the narrator and the events of the story.
  • Narrative Structure: The way in which the story is organized, including the order of events, the use of flashbacks, and the pacing.
  • Frame Story: A story within a story, where a narrator introduces and concludes the main narrative.
  • Metafiction: Fiction that draws attention to its own artificiality, often by having the narrator comment on the storytelling process.

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